Relix : Songwriters Hall of Fame Details 2024 Induction Ceremony and Gala: Trey Anastasio, R.E.M. and More

The Songwriters Hall of Fame has announced its 2024 induction ceremony and award gala details. The 53rd annual gathering will be held on Thursday, June 13, at the Marriot Marquis Hotel in New York City. [...] This year’s event will celebrate the exceptional contributions of Hillary Lindsey, Timothy Mosley (Timbaland), Dean Pitchford, Donald Fagen, Walter Becker (Steely Dan), and the iconic members of R.E.M., Bill Berry, Peter Buck, Mike Mills, and Michael Stipe. These luminaries, with their remarkable body of work, have left an indelible mark on the music industry.

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Popmatters : THOSE DAYS ARE GONE FOREVER: STEELY DAN’S ‘PRETZEL LOGIC’ AT 50

Steely Dan’s 50-year-old third album, Pretzel Logic, conceals its dark satirical vision of modern society beneath immaculate studio production. This 1974’s album marked the transition between their beginnings as a conventional rock band and their later incarnation as a studio collective under the leadership of Walter Becker and Donald Fagen. Founding guitarists Denny Dias and Jeff “Skunk” Baxter performed on Pretzel Logic, while original drummer Jim Hodder got bumped in favor of session men Jim Gordon and Jeff Porcaro. This perfectionism, involving 16 studio musicians, made Becker and Fagen infamous as rock’s geekiest dictatorship.

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Far Out Magazine : Steely Dan's Donald Fagen picks his greatest influences (by Jack Whatley)

Despite their incessant performance of the hokey cokey with the fashionable side of music, one thing that cannot be denied is Steely Dan‘s impressive command of their instruments. The duo of Donald Fagen and Walter Becker may be constantly fighting a ebb and flow of appreciation from the musical world, with the band arguably one of the most polarising groups in the history of rock and roll, but they know what they’re doing in the studio.

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Best Classic Bands : When Donald Fagen Lightened Up With ‘The Nightfly’ (by Sam Sutherland)

On his debut solo album, Donald Fagen trades cynicism for nostalgia in a song cycle that lands midway between Proust’s madeleine and Mr. Peabody’s Wayback Machine. In tracks set in the late ’50s and early ’60s, when their author was soldiering through adolescence, he revisits the era’s aspirations and fears with the optimism and innocence of his proxy protagonists. The worldview mirrored in his sardonic tone with Steely Dan is softened, if not entirely jettisoned, in favor of songs that retain an affectionate glow.

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BR Bayern : Die Musik von Steely Dan wird auch die schlimmsten Zeiten überdauern (by Michael Bartle)

Walter Becker und Dan Fagen sind als Steely Dan ein unsterblicher Teil der Musikgeschichte. Die perfektionistische Pop-Band hat einen festen Platz in der "Rock'n'Roll Hall of Fame". Einer der Musiker, Walter Becker, ist bereits 2017 verstorben, Dan Fagen dagegen wird 2023 75 Jahre alt. Michael Bartle zollt ihm Tribut.

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Houston Press : BOOKS Reelin' in the Years (and Peelin' Back the Layers) of Steely Dan's Donald Fagen (by Bob Ruggiero)

The Steely Dan co-founder has long been wary of the press and gave relatively few interviews during the band’s prime. And when he did deem to do so, sometimes answered in riddles (albeit pretty humorous ones). Even his own memoir, Eminent Hipsters, is less revealing than even Bob Dylan’s Chronicles Vol. 1, with much of it is carping in his trademark curmudgeonly voice. But despite not having the participation of his subject, Jones' Nightfly: The Life of Steely Dan’s Donald Fagen (368 pp., $30, Chicago Review Press) is an insightful, detailed, heavily researched and wonderfully well-written tome.

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Houston Press : Steely Dan Still Shining, Still Reelin' in the Years (by Tom Richards)

Always keeping a low profile, never appearing in gossip columns, and definitely not wrecking any hotel rooms, Becker and Fagen minded their own business, cranking out songs that merged rock and pop with a heavy dose of jazz, coupled with lyrics that might be called subversive. They were, as Rolling Stone termed them, “the thinking fan’s top 40 band.”

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