Lithub : More Than Just A Pretty Face: On the Multifaceted Marianne Faithfull (by Elizabeth Winder) →
Marianne planned to be known, but a pop princess career was the last thing on her mind. She’d be an artist of some kind—she’d go to Cambridge, or the Royal Academy of Music to continue classical singing. She idolized the young Vanessa Redgrave, who once came to talk to Marianne’s theater group. Perhaps Marianne would also play Rosalind, or Imogen in Cymbeline, or even sing Tosca in Covent Garden. Awake long in the night in her convent room, she bent over her workbook, filling page after page of potential stage names, pen names, fantasy names. In time she would realize her real name was her own.
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