Lithub : More Than Just A Pretty Face: On the Multifaceted Marianne Faithfull (by Elizabeth Winder)

Marianne planned to be known, but a pop princess career was the last thing on her mind. She’d be an artist of some kind—she’d go to Cambridge, or the Royal Academy of Music to continue classical singing. She idolized the young Vanessa Redgrave, who once came to talk to Marianne’s theater group. Perhaps Marianne would also play Rosalind, or Imogen in Cymbeline, or even sing Tosca in Covent Garden. Awake long in the night in her convent room, she bent over her workbook, filling page after page of potential stage names, pen names, fantasy names. In time she would realize her real name was her own.

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AD France : Marianne Faithfull photographiée chez elle dans les années 1960 (by Annabelle Dufraigne et Fanny Guénon des Mesnards)

Chanteuse emblématique de la « British invasion » qui secoua les années 1960 avec l'arrivée massive de groupes anglais en Amérique (à l'instar des Beatles et des Rolling Stones), Marianne Faithfull a marqué une génération de sa voix singulière. Retour sur la décennie la plus décisive de sa carrière à travers 10 clichés vintage.

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Rolling Stone : Série musicale de l’été : Lucile Commeaux raconte Marianne Faithfull sur France Culture

Cap sur la culture pop et rock cet été sur la radio publique. Jusqu’à la fin août, France Culture propose, en partenariat avec Rolling Stone, une série hebdomadaire déclinée en épisodes quotidiens. Cette semaine, Lucile Commeaux revient sur l’icône rock par excellence, Marianne Faithfull.

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NME : Lucy Boynton on playing Marianne Faithfull: “She is an extraordinary woman” (by Gary Ryan)

Don't stop her now! The 'Bohemian Rhapsody' star teases her biggest role yet.

Lucy Boynton is no stranger to musicians. She played Freddie Mercury’s former fiancée and best friend Mary Austin in Bohemian Rhapsody, getting to know Queen rock stars Brian May and Roger Taylor in the process. She holds raucous karaoke sessions with actor-singer Ben Platt, her co-star on Netflix‘s The Politician. And when she was cast as Marianne Faithfull in an upcoming biopic, the ‘60s icon gave Boynton her personal seal of approval.

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Rolling Stone : Hear Marianne Faithfull’s Forceful ‘Vagabond Ways’ Demo for ‘Incarceration of a Flower Child’

Marianne Faithfull will give her 1999 album, Vagabond Ways, the deluxe treatment with a reissue due out March 4. She’s teasing the release with the demo recording for the album’s “Incarceration of a Flower Child,” a song Roger Waterswrote in 1968 but never recorded with Pink Floyd.

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Independant : Mini-skirts, bouffants and forgotten hits: The unsung women of the British Invasion

As Beatlemania sweeps the world once more with Peter Jackson’s ‘Get Back’, it’s high time that the women who took America by storm – from Dusty Springfield to Cilla Black – are equally recognised for their part in pop history. Key figures of the Swinging Sixties, including Petula Clark, speak to Alli Patton.

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The Guardian : Marianne Faithfull review – the longer she plays, the better she gets

or more than 50 years, Marianne Faithfull’s blues have both obscured and informed her music. From her melancholy first single, the Jagger-Richards penned As Tears Go By, which launched her as the blue-eyed, flaxen-haired poster girl for sadness, through to the tremulous Rich Kid Blues, recorded when Faithfull was, ironically, destitute, unhappiness has stalked the 69-year-old with virulent ardour.

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