To be clear, I don’t think that director James Mangold has some kind of vendetta against Baez. I think a more accurate statement would be that every character in “A Complete Unknown” is confined by the limits of the biopic genre, and Mangold does relatively little to rescue the film from its worst impulses. I like to call it “biopic syndrome”: in place of a cohesive narrative, a dizzying number of scenes are stitched together in a montage of events that decorate Dylan’s rise to fame. This style of filmmaking is endemic to the genre, and it’s the source of many viewer complaints over the years who regard biopics as messy, disconnected and worthy of ridicule. And because “A Complete Unknown” places most of its attention on Dylan’s personal relationships rather than his art, the climax of the film is rendered completely ineffective, more akin to a love triangle than a portrait of a complicated artist.

Sweet Relief Musicians Fund celebrated the legacy of legendary folk singer Joan Baez on Saturday, Feb. 8 at the Masonic Auditorium in San Francisco. (...) Sweet Relief Musicians Fund provides services and financial assistance for career musicians and music industry professionals. Grants are earmarked for medical and vital living expenses, including insurance premiums, prescriptions, medical treatment and operative procedures, housing costs, food costs, utilities, and other basic necessities. The event raised more than $600,000. 100% of all donations to Sweet Relief for California fire relief are being distributed to victims.

“The Folk Americana Roots Hall of Fame is the perfect place to honor Joan’s impact on music and American history. Her career started on the stage of Club 47 and others around Boston and Cambridge, and she was in the Hall of Fame’s inaugural class of inductees,” said Casey Soward, President and CEO of the Boch Center. “We continue to celebrate her legacy, educating a new generation about the incredible life the iconic singer has led.” Joan Baez: A Life of Music, Art, and Activism showcases a variety of items from the life and artistry of Joan Baez. As a singer/songwriter, Baez occupies a singular space in history, but her body of work extends into many facets of creativity, including poetry and visual art.

The creative genius and passionate determination of one of America’s musical icons comes to life inside the Folk Americana Roots Hall of Fame with "Joan Baez: A Life of Music, Art, and Activism". The exhibit, curated by Museum Collective, will feature handwritten lyrics, rarely seen personal photos, original artwork and famous instruments that defined Baez’s award-winning career. The new exhibit opens inside the Boch Center Wang Theatre, March 6, 2025.

Joan Baez received a gold medal for her outstanding contributions in art and public discourse, the highest honour awarded, from the Historical society on Friday, December the 13th. Baez, who rose to fame in the 60s, has become a legend in folk music and has advocated for nonviolence and human rights throughout her long and illustrious career. Baez was first introduced and awarded the medal for her work in activism and art before sitting down for a Q&A session with the Auditor of the Hist, Tom Francis. Francis asked Baez questions about the intersection between music and activism and the particular current state of the world. Of activism and social change, Baez stated, “I wouldn’t be interested in it without the music. I believe that it’s the spirit and it’s really the only thing that crosses borders”.

There were stars a plenty at the Lighthouse Cinema in Dublin last night. Yet they were all playing second fiddle (excuse the pun) to a global star who was in Dublin for a screening of a documentary about her life, Joan Baez. Now 83, Ms Baez is as famous for her decades of political activism as she is for her music, and indeed the two became interwoven over the years. "The activism came a teeny bit earlier than the songs and the guitar and the ukulele and all of it," Ms Baez said. "All I can tell you is that when I was eight and my parents joined a quaker church, it was about learning about violence and non-violence and nation-state versus human beings and I found that all through the years I've been the happiest and felt the most reason to be here when I was doing music and activism at the same time," she added.

Baez is a legendary folk musician and a lifelong activist who was at the forefront of 1960s counterculture. She marched with Martin Luther King, opposed the war in Vietnam, attended peace marches in 1970s Belfast. A recent documentary about her life, Joan Baez: I Am a Noise, tells the story of her music and activism but also deals with her struggle with anxiety and some upsetting family secrets. It’s all the more affecting given how powerfully Baez has moved through the world. The impression most fans would get from her is that she is someone who’s at peace and knows exactly what she’s doing. She laughs. “That’s true now.”

Wednesday night’s Glide Annual Holiday Jam featured a surprise appearance by folk legend Joan Baez at the fundraiser for Glide’s holiday meals and service programs, and she stunned with a three-song set that featured John Lennon’s “Imagine.” For many in the Bay Area, the holiday season really begins with the Glide Annual Holiday Jam, generally held a week or two before Thanksgiving, and often raising more than $2 million in a single evening for Glide’s charitable efforts.

Singer and human rights campaigner Joan Baez is to visit the home of Seamus Heaney for a poetry reading during a forthcoming visit to Ireland. [...] The visit has been announced by the organisation Art for Human Rights. The screening of the documentary, directed by Karen O’Connor, Maeve O’Boyle and Miri Navasky, will take place in Dublin on December 10th, which is also International Human Rights Day. It is to be followed by a discussion with Ms Baez, Ms O’Connor and Ms O’Boyle, hosted by broadcaster Olivia O’Leary. [..] “For over 60 years Joan Baez has been the voice of civil and human rights struggles around the world and a passionate and consistent proponent of non-violence,” said Art for Human Rights founder and executive director Bill Shipsey. “We are grateful and humbled and cannot wait to meet and greet her.

Around 7.30am on Christmas Eve in 1972, Joan Baez was singing the Lord’s Prayer into a tape recorder. She was in Hanoi when America launched its worst bombing raids since the Second World War, having travelled to Vietnam with three others to experience the unrest first-hand and deliver mail to US prisoners. That morning, the unexpected sound of an exploding bomb interrupted her singing, leaving many to grapple with the unmistakable dilemma of fight or flight. [...] Baez is often linked to the counterculture movement of the 1960s, but beyond occupying the figure of someone willing to go against the artistic grain, her integrity and demand for greater justice made her one of the most impassioned campaigners of all time. After the war, she fought against human rights abuses by the Communist government, her willingness to exist alongside those hurt and scorned becoming a beacon of resilience and hope for the oppressed, even as she faced relentless persecution herself.