Milton + Esperanza is a profound, exceptional collaboration between Brazilian music legend Milton Nascimento and Grammy-winning bassist and composer Esperanza Spalding. Recorded in Brazil throughout 2023, this 16-track album intertwines Nascimento’s classic Afro-Brazilian roots sound with Spalding’s contemporary jazz vibes, reflecting their shared musical bond. Produced and arranged by Spalding, the album masterfully revisits Nascimento’s well-known songs, introduces brilliant new compositions inspired by his work, and includes engaging reinterpretations of popular hits such as The Beatles’ “A Day in the Life” and Michael Jackson’s “Earth Song.” These versions are not simply covers, but rather thoughtful reinterpretations that honor the originals while adding Spalding’s inventive perspective.

“Milton + Esperanza,” a warm, almost dreamlike collaboration between Milton "Bituca" Nascimento and the American jazz musician Esperanza Spalding after 15 years of friendship between the two. Spalding arranged and produced the album and plays bass throughout, and the pair sing together on nearly every track. [...] “He has a special essence, and it comes out in the music,” said Spalding [...] “It’s a mystery,” she added, “and it’s beautiful.”

Now 81, Nascimento’s voice has developed into a beautifully rich and vibrato-laden baritone that is the focus of a lively collaboration with bassist and composer Esperanza Spalding, Milton + Esperanza. Across 16 tracks, the pair reimagine compositions from Nascimento’s catalogue, such as 1969’s Outubro and 1972’s Cais, as well as featuring new works with the likes of Paul Simon and Lianne La Havas. [...] Fresh from Iphigenia, her jazz opera with the late Wayne Shorter, Spalding cements her status as a collaborator capable of extracting mighty performances from her elders. Her imaginative musical settings showcase Nascimento’s mature range, producing a late-career masterpiece that highlights the beautiful changes wrought by age.

When esperanza spalding glides through our area in the coming days, she’ll be moving in a deliberate spirit of grace. “The whole point of this tour was like a resting place,” the Grammy-winning bassist, singer, bandleader and songwriter, who stylizes her name in all-lowercase, explained this week in a conversation with WRTI. “Because I've been doing so many big, complicated projects that I really just needed a resting place,” spalding explains. “So it'll be familiar things. Songs that don't feel like a strain. And it's very intimate. It's not like: Ta-Da! It's kind of close, things that are known and feel like comfort places from all the records, except for Emily's D+Evolution.”

Esperanza Spalding, a double nominee, opted for the most overt show of solidarity on the red carpet by wearing a keffiyeh, a traditional Palestinian scarf. The scarf has become the most universal symbol of support for the Palestinian struggle, with its patterns representing important facets of Palestinian life. Noted in NPR, the black stripes are for the historical trade routes that ran through Palestine, the fishnet represents the Palestinians’ tie to the Mediterranean Sea, and the short, curved lines resemble the leaves of an olive tree, an important crop and symbol for Palestinians.

Esperanza Spalding, through her unmatched blend of jazz, classical, and soul, has crafted a unique niche in the music world. This culminated in a career that defies genre boundaries and also enriches the cultural tapestry of our time. [...] From her early days as a self-taught musician in Portland, Oregon, to her ascendancy as a Grammy Award-winning artist, Spalding's journey is a compelling narrative of artistic evolution and dedication.