The New York Times : Finding New Meaning in Timeless Music (by Angélique Kidjo) →
This personal reflection is part of a series called Turning Points, in which writers explore what critical moments from this year might mean for the year ahead. “Working with this generation of African artists inspires me, because the way their music feels and makes me feel is that perfect blend of familiar and fresh. Young artists like Burna Boy, the first Nigerian act to headline — and sell out — Madison Square Garden, are shining on the world stage because they are no longer looking to imitate Western music. They are looking to the traditional music of their countries, and to the many artists who came before them, like Fela Kuti, Salif Keita or me.” (Angélique Kidjo)
Read More