Smith, often referred to as the "Godmother of Punk," is not only a musical icon but a literary powerhouse. She's a unicorn artist who blends music, poetry, and visual art seamlessly, with her works spanning decades of cultural relevance. Best known for her 1975 debut album Horses, lauded as one of the greatest rock albums, Smith's rebellious spirit and intellectual lyricism have made her a key figure in the punk movement.The Rock & Roll Hall of Fame inductee is set to return to the Miami Book Fair this year to discuss her 2022 book, A Book of Days. It's an event she has been participating in as an author for more than a decade. Her most recent book is an intimate window into her daily life, featuring 366 photographs — one for each day of the year, including a bonus for leap year. [...] Each image is paired with a short reflection, combining the mundane with the profound, offering readers a glimpse into the mind of an artist who, in her own words, has "a permanent ticket down the rabbit hole," triggering the reader's curiosity and imagination.

Long-suffering U2 fans may be waiting for another album as interesting or relevant to the times as How to Dismantle an Atomic Bomb. You can wait a little longer. How to Reassemble an Atomic Bomb, the so-called shadow album to the studio release from twenty years ago is on the horizon. With the context of those additional songs, it feels almost necessary to head back into How to Dismantle an Atomic Bomb, to reflect on the rock makings and staggering cultural message it had at a time of wavering peace in places we expected calm from. But no, the world has always been a warzone and the rise of tech to showcase this for us has been a miserable experience – not least because it continues but also due to how frequently we see it. This was not the point U2 made with How to Dismantle an Atomic Bomb but it has morphed into something new, something pertinent once again.

For 40 years, Band Aid’s Do They Know It’s Christmas? has been praised by some as a triumph of charitable fundraising and festive songwriting – and condemned by others as the most high-profile example of white saviourhood in pop. Now, to mark its latest anniversary, the song is coming back around for a fourth time, in the form of an all-star splicing of the three previous official versions. Announcing the new version, Bob Geldof, who masterminded the 1984 original, says Do They Know It’s Christmas? “tells the story not just of unbelievably great generational British talent, but still stands as a rebuke to that period in which it was first heard. The 80s proclaimed that ‘greed is good’. This song says it isn’t. It says it’s stupid.” Proceeds will benefit the Band Aid Charitable Trust, which supports health and anti-poverty initiatives across Africa.

Warren Haynes is emerging from one of the most prolific times of his life—and he is making the most of that reality. On Nov. 1, Fantasy Records is releasing the Allman Brothers Band alum’s fourth solo album Million Voices Whisper, a project that features guest performances by Derek Trucks, Lukas Nelson and Jamey Johnson. Though the album is Haynes’ first solo project since 2015’s Ashes & Dust, its arrival comes on the heels of two recent albums he released with Gov’t Mule—2021’s Heavy Load Blues and 2023’s Peace… Like a River—which he and his bandmates recorded simultaneously during the coronavirus pandemic lockdowns.

Angelique Kidjo has embraced the moniker “Africa’s premier diva,” bestowed up on her a few years ago by a journalist.But she defines the term diva a little differently than some people would. “I was doing something at a museum in Paris, and this journalist saw me interacting with all these people, hugging and talking to them, taking pictures with them, and he said to me, ‘You really are Africa’s premier diva,’ ” Kidjo said in a phone interview. “But I’m somebody who grew up knowing the value of hard work, who was taught that kindness is bulletproof. To me, being a diva means being available to people all over Africa and all over the world.”

She also fits one of the dictionary descriptions of a diva, which is simply “a famous female singer.” After 40 years of performing and recording all over the world and winning five Grammy awards, she’s certainly that. On Nov. 13, she’ll be accessible to people in Maine when she performs at the State Theatre in Portland. The show is presented by Portland Ovations.

No stranger to charitable causes in his native Asheville, North Carolina, with his annual Christmas Jam concert, Warren Haynes will once again lend a musical hand to help out his hometown following the devastation left behind by Hurricane Helene last month. Haynes will host a Nov. 24 benefit concert at Madison Square Garden in New York City to raise funds for disaster relief in both North Carolina and Florida. “I’ve been talking to everybody and it’s just crazy. It’s heartbreaking. Who could ever imagine that Western North Carolina could be affected like this?” Haynes tells Rolling Stone.

Five-time Grammy Award-winning singer, songwriter, composer and multi-instrumentalist Esperanza Spalding lived up to every meaning of the word ‘artist’. From ‘12 Little Spells’ from the album of the same name to ‘I Know You Know’, Spalding cruised through her songs with the personality and character that only the writer of the songs could deliver.

Patti Smith continues to make waves in myriad pop culture and musical landscapes. Known for her iconic contributions as a singer, lyricist, artist and poet, Smith has collaborated with many creatives. Long after her explosion into the rock industry, she has continued to inspire forthcoming generations, leading her to be inducted into the Rock and Roll Hall of Fame. Her memoir, Just Kids, documents the triumphs and difficulties of moving to New York City in the late 1960s and early 1970s on her own. She carved out a substantial path for herself but that is not without suffering in its many relentless forms. It was there that she met Robert Mapplethorpe. The two of them together, experienced a connection that could be described as nothing less than a soul-tie. From difficult beginnings, the creative destined her own path – one that began with paper and pen.

Some bands may be comfortable with putting out music that is less than perfect, but those bands aren’t U2. The Irish superstars have built a reputation for second-guessing their own work and spending months—or even years—tweaking their compositions. Perfectionism hasn’t always translated into perfect songs, but in the case of their 2004 hit “Vertigo,” it resulted in one of their biggest chart successes. One could plausibly argue that “Vertigo” was U2’s last truly big hit.

Angélique Kidjo is a Beninese French singer-songwriter, actress, and activist with such a long and influential career that she is now considered “The Queen of African Music.” Kidjo is a true force of nature. Angélique Kidjo, with the Color of Noize Orchestra conducted by Derrick Hodge, celebrates 40 years of music and JOY; on the Stern Auditorium / Perelman Stage at Carnegie Hall in Midtown, Manhattan; on Saturday, November 2, 2024 at 8pm. Kidjo is a multi-Grammy winning, Beninese singer, UNICEF and OXFAM goodwill Ambassador who launched her music career in France. She is an African woman of the world who speaks fluent Fon, Yoruba, Gen, French, and English.

It has somehow been 20 years since U2 released How to Dismantle an Atomic Bomb— the one with “Vertigo” — and the band is rolling out a “shadow album” of ten outtakes from it, dubbed How to Reassemble an Atomic Bomb, on Nov. 22. The band already dropped one of the songs, the chiming mid-tempo anthem “Country Mile” and now they’ve released a second track, “Happiness,” which is a bigger sonic surprise. In the wake of mixed reactions to their underrated 1997 album Pop, which incorporated some electronic dance beats into their sound, U2 shied away from their funkier instincts for a while. But “For this anniversary edition I went into my personal archive to see if there were any unreleased gems and I hit the jackpot,” the Edge recently wrote. “We chose ten that really spoke to us."

At the Baryshnikov Arts Center, an adaptation of Smith’s poem-memoir “Woolgathering” features Smith reciting, others dancing and a surprise guest. “Woolgathering” is a slim collection of prose poems that Patti Smith, the singer-songwriter and punk pioneer, published in 1992. It’s mostly a memoir of childhood — of a poet’s childhood, or of the way that all children have a poet’s imagination. “The mind of a child,” she writes, “is like a kiss on the forehead — open and disinterested.” It is “mystified by the commonplace” and “moves effortlessly into the strange,” glimpsing and gleaning, “piecing together a crazy quilt of truths.”